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missed so much in the Dulwich picture. The size of both canvases is almost identical; identical in composition and colour; identical in details and accessories; and yet, what a different impression they make! An imperceptible change in the collocation of the head; an insignificant alteration in the line of the right arm, so artistically accentuated in the Parma picture, and other little variations that are only to be appreciated by a comparative study between both pictures, place in relief the superiority of the recently discovered portrait. The softness and indecision which

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