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(Created page with "Beginning of Page 4 Vandyck Room. Flemish Art of the 17 Century. Brussels 1910. "At the same time we know that in his later or English period, when he painted his own pict...") |
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"At the same time we know that in his later or English period, when he painted his own pictures, and did not hand them over to his crowd of assistants, he could do noble work; and if evidence is sought in this exhibition, it is to be found in Mr Pierpont Morgan's "Robert Rich, Earl of Warwick," and in Lord Denbigh's "Countess of Cambrasil." The difference between an original and a school picture could not be better shown than by a companion of this last portrait, with its pendant; also a lady in Blue.." | "At the same time we know that in his later or English period, when he painted his own pictures, and did not hand them over to his crowd of assistants, he could do noble work; and if evidence is sought in this exhibition, it is to be found in Mr Pierpont Morgan's "Robert Rich, Earl of Warwick," and in Lord Denbigh's "Countess of Cambrasil." The difference between an original and a school picture could not be better shown than by a companion of this last portrait, with its pendant; also a lady in Blue.." | ||
"The Times" 18 July 1910 | "The Times" 18 July 1910 | ||
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Latest revision as of 16:53, 1 July 2019
Beginning of Page 4 Vandyck Room. Flemish Art of the 17 Century. Brussels 1910. "At the same time we know that in his later or English period, when he painted his own pictures, and did not hand them over to his crowd of assistants, he could do noble work; and if evidence is sought in this exhibition, it is to be found in Mr Pierpont Morgan's "Robert Rich, Earl of Warwick," and in Lord Denbigh's "Countess of Cambrasil." The difference between an original and a school picture could not be better shown than by a companion of this last portrait, with its pendant; also a lady in Blue.." "The Times" 18 July 1910 End of Page 4